Welcome to our Blog!

This blog will serve as a live documentation of the exchange between Byam Shaw School of Art and International Academy of Art Palestine. We will update you on all the things that happen and all the things we learn about along the way. Look at the first post for more general information.

Thursday, 3 June 2010










Thursday 25th February 2010

Wake up at 9.Leave at 10. Get bus to Jericho. Quite a journey. It is a strange experience going out onto the roads of the Palestinian countryside and seeing all the things that have been only words and stories come to life for fractitious moments as it whizzes past my vision. The nomadic Bedouin camps, with their corrugated roof shacks and their tiny patches of tired looking arable land (and the goats that graze upon it); Jewish settlements, always on the top of hills, packed tightly together with their characteristic red-tiled pointed roofs, and encircling security walls; my stomach churns when I see rows upon rows of tree stumps either side of the road – Palestinian olive groves that have been cut down by the Israelis. We are speeding along a 4-lane highway and the signs are in Hebrew and English, with a conspicuous abscence of Arabic. It’s a settlers route. I see one of the settlers-only bus stops that a student at the Art Academy talked about. It is bright green with Hebrew on the front. The Palestinians stand and wait a few feet away without rest or shelter. You get the impression the settlers are here and they are here to grow – new roads are being built and Hedwig, a Norwegian girl also on the exchange programme, notices a billboard advertising buying homes in the settlements.

We arrive in Jericho and it’s not sunny but it is much warmer than Ramallah and it’s humid. The West Bank is a tiny place, Jericho is only 15 miles away from Ramallah, but the temperature seems to rise by a degree a mile, and for every degree rise - or mile away from Ramallah, the land level plunges by 100 metres. As Wikipedia will tell you, Jericho is the lowest permanently inhabited site on Earth at 260 metres below sea level, and one of the oldest continuosly inhabited cities in the world at 11,000 years old. Archaeologists have dug up no less than 20 layers of ancient settlements under the city that lives and breathes today. It is more like the desert land I had come to expect from travelling in the Middle East. In view of this, we de-layer and go in search of some replenishment. We find a cafe, sit on the plastic chairs that spill out on to the street, drink Arabic coffee until the bitter dregs meet our lips, and watch as the traffic, motor, pedestrian, and pedal, passes us by.

Its as if we are in the Truman Show, the same vehicles keep going past us in both directions. Like they’ve got nothing better to do so they just drive around the centre of Jericho all day. I enjoy the idiosyncracies of the Jerichite traffic: bikes fitted out with a smaller front wheel so as to carry large crates of potatoes, trucks fitted for some reason with ornate-baluster cages, tiny school children with giant rucksacks walking in pairs, slick coaches with tinted windows and Hebrew on the front, three-doored taxis, UN cars, UN supply trucks, UN tractors, bored 20 year old men in souped-up Fiat Unos driving very slowly and staring directly at us.

Having made no plans further than taking the taxi to Jericho and seeing what happened we are a little at a loss as to what to do after the initial speedy resolve to sit and drink coffee. Zelda gets an offer from a man in a hairdresser for a tour of the city once he’s finished eating his meal, we hang around a clothes shop waiting for him, but somehow lose him in the midst of being distracted with an offer for coffee in the shop. But its no problem, the shopkeeper is at hand, offering some vague directions towards some touristy location.

We take up the directions, but decline the coffee, we’ve got to get going and see the sites, we’re tourists after all.

Everyone is welcoming us, giving us directions of questionable value, and offering coffee by the gallon.

We talk with one man who tells us that the mount of temptation where Jesus lived in a desert cave for forty days and forty nights is just up the road we’re on (this must be what you’re looking for), but its far and if we want to go his friend is offering us a lift. He gestures towards an ancient man standing behind him, who I am quite sure never breathed a word about any such offer, in fact he looked as though he had not breathed a word at all in quite some time. But nonetheless, I’m surprised as he silently obliges, and leads us to a car. We drive up towards the desert mountains and arrive at a quiet and ramshackle tourist base. We give our thanks and wave goodbye with considerable affection to our mute and ancient chauffeur as he glides back down towards town. We were lucky we got the lift, it turns out it was pretty far. There are a few other tourists nearby, and we begin to ascend the yellow stone steps that lead up to the church with them at our side. I find myself between two young monks, panting and sweating their way up, clutching on to hi-tech video cameras looped around their necks along with the more expected rosary beads.

We reach the top and a large door cut out of the mountain is opened for us. We are led through into a corridor-like cave of glossy painted doors all cut out of the mountain side. They look startingly similar to those you might get on the front of a terraced house in Islington, with their different colours, and metal door numbers. I guess the monks here are proud to call the Mount of Temptation their home.

The church has some beautiful religious paintings and i get absorbed into observing how the the various icons have been installed – a screw here, a cabinet there, a light bulb here... I plan to document every aspect of how the things in the church are installed and hung, but I am shooed out by a monk who is locking the doors, so much for my artist research! I step out onto a balcony that juts straight out from the cliff and look out at an incredible view of Jericho and the haze of the Dead Sea in the distance. I cling on to the hand rail, dizzy from the height. Directly below me, paper-like birds are flying in and out of holes in the cliff face. The way they swoop, hover and get blown around by the updraft is quite mesmerising and I watch their movements for some minutes.

We leave the mountain, and begin to contemplate our return to the centre of Jericho, without the benefit of ancient chauffeurs. We slowly meander our way past harvested banana trees, abandoned houses, Christian coach trips stopping for lunch in the distance, photogenic broken and rusting trucks, men on mopeds practicing their limited English on Hedwig and Zelda, and children playing, slipping in and out of view between all of the above. At a road junction we come across a bored looking young boy sitting beside a tethered camel. Me and Chris haggle for a ride, and we take it in turns to be walked up and down a stretch of disused tarmac, for a couple of minutes each. I feel like a fool as I perch awkwardly upon the poor animal. So much for romantic desert camel treks. We carry on our route much like it never happened. Arrive at a modern tourist centre where a cable car takes you up to the Church of Temptation.We’re told that on the other side of the road there is the site of the ancient city, we dip our heads in, but it seems you have to pay, we decline and move on – ‘its only a bunch of ruins’. We plan to walk towards another touristy site called Hisham’s Palace but for one reason or another end up taking an alternative route through the quiet rural village roads. We come across a strange looking building complete with 30ft sign on the front listing the sponsors to whatever project the building evidently contains. Next to the sign is a man slouching in a plastic chair. He rises to meet us and we go through the ritual of saying where we are all from (London, Norway, Austria, London!). He takes us around the back of the building and unlocks a large metal door. We step a couple of feet inside. He points down a metal staircase and says proudly in broken English ‘water irrigation system’, we peer down and nod politely, though I can’t really see anything at all. Oddly the inside wall has the same 30 foot sign . It as if they blew all their money on the signs! As a matter of course he offers us some coffee but we decline with thanks, we’ve got to be on our way.

We meander a little bit further amongst the quiet of the fields and houses and it begins to rain heavily. A taxi driver slows and we ask him how much to the centre of Jericho, but he offers us a ride for free. (this hospitality is getting ridiculous!) He drops us off back in the city centre and we find a place to eat a late lunch\early dinner.

We are starving and have a feast of 3 ½ chickens, chips, a selection of dips, and mounds of complimentary pita bread all served by a friendly waiter who i forget the name of. After the meal we wander around Jericho with satisfied stomachs but once again without direction. We find ourselves in an increasingly residential area. We are attracting attention from everyone, dusk is setting in, and I am starting to feel a little self-concious and tired. Chris and Zelda are up ahead and seem to have found a large group of young boys to chat with. When me and Hedwig join up it becomes clear there was only one in the group who could actually speak English. He is a black Palestinian and is dressed up in Hip Hop clothing, with dollar signs, the cap, the sneakers, the baggy shorts, the lot. As a matter of course he invites us for coffee and this time we oblige. He cuts a path through his gang,who are laughing like hyenas, and we are led into his family home. It seems the whole family is waiting for us. There is a mother, a grandmother, a father,and a brother. The grandmother is peeling and chopping an enormous pile of beans into a bucket the size of a paddling pool; the father has just arrived and is setting up the ugile (shisha to you and me) and our friend makes us some coffee. We attempt to communicate with the family as best we can – no one it seems can speak each other’s language very well, so we mainly exchange smiles with great warmth. Muhammad talks about his love of Hip Hop, Michael Jackson and breakdancing and asks Chris if he likes rock and says that here people don’t listen to rock. Like many Palestinians, he takes great interest in Chris’ long ginger hair – Chris is led away to meet a friend who wants to shake his hand. In the mean time me, Zelda and Hedwig sit quietly with the family as the grandmother chops, and the father puffs . Now we are all tired, we express an interest to go back home and Muhammad orders a taxi but not before repeatedly offering that we stay the night. The taxi arrives the same time the mother gives us all a cup of tea but Muhammad asserts that it is really no problem at all and the taxi can wait. It is quite a struggle to stop the tea being refilled.

We shake all the family members hands and say our goodbyes and the mother tells us we are welcome back anytime.

We go back onto the streets and there are about twenty kids surrounding chris, the first Palestinian rock star! We get into the taxi with a chorus of goodbyes. Its dark and I rest my eyes a little as we glide out of Jericho and back onto the main highway, thinking how incredibly kind and helpful the citizens of Jericho had been. Turns out that the lowest and oldest city in the world, is also the friendliest.

- by Jon Lander

Wednesday, 26 May 2010







untitled 2005
by umaiah/omaya salman-palestaine




clash with air 2009
by umaiah/omaya salman -palestaine

umaiah /omaya salman- palestaine

about me
Umaiah salman/ Omaya salman
Born in Brazil, in 1987, Umayah salman currently student in the international academy of art Palestine, umaiah became involved more with contemporary art (visual conceptual art), specifically video and installation she always try to make the concept parallel with the technique to make a successful visual conversation between the observer and the art work . She has exhibited internationally:
(Public security) - Palestine- screening of moving image from Palestine, (Public security) -international academy of art (Palestine) ,(eye blink) -London-at pyam show school of art, curetted by Judy Price, (eye blink)-Norway/ Oslo- at the isfit curetted by Henrik Placht ,(eye blink)-Italia/ Torino- at Videoit 2009 un Ponte sul meditervaneo /artegivoane festeggia ,(eye blink) -Macedonia/Skopje- Skopje Biennale ,(eye blink ) online festival, solo exhibition (clash with air)- Norway/Trondheim- at Bable gallery.
.
about my academy
http://www.youtube.com/watch?v=VMSoBPqyAKs

http://www.youtube.com/watch?v=vJM8P508O_4&feature=related

http://www.artacademy.ps/english/index.html

short benefit about palestaine

Palestine, now occupied and named Israel, lies on the western edge of Asia. Lebanon and Syria borders Palestine on the north, the Mediterranean sea to the west, to the south by the Gulf of Aqaba and the Egyptian Sinai Peninsula, and to the east by the Kingdom of Jordan. A Mediterranean climate prevails in Palestine. Summers are hot and dry. Winters are rainy and cold. The weather in Gaza is fair and warm in winter, and hot and dry in the summer. The average temperature in the West Bank in the summer is 29 degrees Celsius, in winter it is 12 degrees Celsius

three currencies are used in Palestine, The Jordanian Dinar, the American dollar and the Israeli shekel. The official language is Arabic, but the majority speak English and many speak Hebrew, French and some Latin..Historically, the land of Palestine was populated by a people known as the Palestinians. Palestinians have always been religiously diverse, with the Muslim majority maintaining friendly relations with their Christian, Jewish, and Druze neighbors.

At the turn of the 20th Century, a new Jewish nationalist ideology called Zionism was developed. Zionism called for the creation of a Jewish homeland, the result is many people of both sides is killed looking for homeland or country.
The main question is it important to have a country or it's our nature to belong to group?
If it yes to belong to group, so why we just found our self in it and we should stay and die for it without even chose it.

http://www.youtube.com/watch?v=bdk_hcx1TyA ( this link you can see more about palestaine jerusalem ,gaza, nablus ....)

my work

My art work revolves around the hidden face of the (globalization racism and the prejudgment and its impact on the human) which is hidden under many stereotypes that we deal with in our daily life, I chose the passport (which is a document, issued by a national government, certifying the purpose of international travel, the identity and nationality of its holder. The elements of identity are name, date of birth, sex, and place of birth. Most often, nationality and citizenship are congruent).

Through the passport you can recognize the identity( that one is partly defined by; belonging to a particular group and social roles) when you open it, the color of the passport creates an image for the holder depending on the place he comes from and the geographical, social and historical background of the country. This image is designed to be delivered to people through the variety media agent ( so it can be said that an identity is designed for each country).
For example if you have a Palestinian passport and you are a women when they see your passport they will wonder if you are a Palestinian (why aren’t you wearing a scarf, are you Muslim? You are so beautiful is there any blond people in Palestine -if not blond- you look Spanish are you pure Palestinian or just living there? )

From my own experience of having two passports, I decided to study this phenomenon finding out that the passport is cragged to help a new kind of caste races to arise. This depends on the nation that you come from, creating an image for each nation (image for the identity of the holder). The interpretation given by the image of the passport document for its citizens may get to us through the media. For example, when we say Palestinian the first thing to come in mind is a terrorist or a victim (the media factor is marketed to people easily as it is unpaid media). This image identifies the human hidden behind the passport's figure which contains the identity, through this document a person identifies what country he belongs to, and at the same time he is judged by the other party based on the international categorization of the country. The passport became a method of pre-judgment based on the international stratification of the country.

As a result, people who have the passport with a low classification according to the ranking, look forward to obtain another passport for them and their children with a better classification (the other document contains another design from one hand and another identity from the other) to save them from the passport's bad suffering that they experience from holding their first passport, as I mentioned previously (escaping through passport pregnancy).

FOR EXAMPLE

Omaya salman
Palestinian
Female

Umaiah salman
Brasilian
Female

Two in one: My first passport, Palestinian, woman, wearing a scarf supposed, Muslim of course (although many religions, especially the three major religions which are known in Palestine. Islam, Jewish and Christian include people who wear scarves). Again stereotypes add the question whether I am terrorist or not.
Taking into consideration the situation and suffering in my homeland many questions run in their minds after seeing my passport, it all depends on the identification given by the world towards Palestinian women.

The second passport (Brazilian) gives the image of a woman with dark skin, sexy body, beautiful features, with knowledge about sports etc. No religion attached to this passport, no matter what the religion is, there is no scarf because it’s not an Arabic country and many questions run on their mind depending on the world's identification of the Brazilian women

I am trying to present some of the common stereotypes hidden under daily life style that we deal with every day feeding pre-judgment, and by dealing with it we support its growth


That’s why now day I am work on the image of the human (that image which is given to the people through media ) depending on their nationality.

Friday, 21 May 2010

Here's a link to great some great films and animations.
Arab shorts:
http://www.goethe.de/ins/eg/prj/abs/enindex.htm

Palestinian animator Ahmad Habash:
http://www.ahmadhabash.com

judy

Monday, 17 May 2010

Palestine Exchange Season at Byam Shaw

This term at Byam Shaw we will be holding a series of film screenings and talks about Palestine and our exchange. So if you can make any of them please come along! If you don't know the school then here is a map locating it, just go to the reception desk and ask where seminar room 2 in the studio building is and they can direct you from there, you need a code to get into the studio building, which you can either get by contacting us or by asking at the reception desk. email jms.lander@gmail.com or phone 07875296222.

View Larger Map


Wednesday, 24 March 2010

Some Sketches

Im away from Ramallah and out by myself frog-hopping from hostel to hostel on the West coast of Israel. Its strange being without Chris and Zelda and without the friends I have made in the West Bank at the Art School and beyond. I miss them all, but it is nice to travel alone for a short while and with the space to reflect on everything that has happened in the past 5 weeks. Ill be back on English soil this monday afternoon, and it feels as though it could be as good as one hour away, when the next day keeps passing faster than the last.

As i am away from the Art academys generous facilities I am unable to scan in any new ink drawings, but I have uploaded a few preparatory sketches for some possible illustrations that I have on my USB from a few days ago. they're very rough and ready so just soak up their atmosphere and dont scrutinise them too closely!


Sketch of our Apartment close to Al Manara, the central square. Our contract clocked out, so we moved out the other day. It was on the top floor of a four storey building. Disadvantage - loads of stairs! Advantage - right by the roof, where we would sit and look out at the crescent moon hanging above the streets of Ramallah, and feast on barbecues with our European friends from the first floor.

Sketches whilst on the go on the Settlers Roads of the West Bank. Roads used by Palestinians only are often poorly paved, whereas the connecting routes to the Israeli settlements are slick, quick, and generously sign-posted. The view that whizzes one by is a landscape of barren rocky hills, punctuated by a Bedouin camps (a nomadic people ostracised by both Palestinian and Israeli society that hug to the sides of the roads, rearing goats, and living in corrugated tin huts); Israeli settlements strategically perched on the hill-tops (recognisable by their orderly lines of red-tiled sloped roof houses and security walls)
;Palestinian villages (not so strategically placed) at the bottom of the hills, Olive groves, rocks, weeds, rocks, rubbish piles, stone-cutting factories...oh and rocks, rocks, and more rocks!
Sketches from The church on The mount of temptation in Jericho. The spot where Christians believe Jesus was tempted by the devil whilst wandering the desert for 40 days and nights.

The police in Ramallah are a funny bunch. They never seem in any hurry, chatting to each other, and swinging their guns around in a bored fashion. But for some reason they always have their lights flashing even when they are just sitting in traffic with everyone else.

Some sketches of a 95 year old grandfather we met when we went to one of our friends family homes in a village outside Bethlehem. He was very angry at me and Chris, over our personal responsibility for the British giving Palestine to the Jews in 1948.
-Drawings and writing by Jon.




Saturday, 13 March 2010

The People's Museum

Here is a link to a great community art project run by a Danish group called YNKB in Birzeit, a village 20 km north of Ramallah in West Bank:

http://www.ynkb.dk/eng/peoples%20museum-eng.shtml

Jerusalem

in two minutes

huddled near the door on their hands and knees, heads bowed to the floor for what they believe.

so much faith, so little to see, so much weight on cheap rosary beads.

kids with guns play-fight out on the street, under the clouded eyes of police.

chris

Thursday, 11 March 2010

chickpea national




'the two safety officials are watching this one closely, the prestigious 'chickpea national' will commence from their right; they're a hungry pair. Oh and we're off, course a little dry today. 'US' is off to a flying start followed by 'HO' and 'MO' trailing at the back, so much pressure on te young chickpeas today, past the halfway mark 'US' and 'HO' side by side, now wih only two furlongs to go they're neck and neck. What's this 'MO' is coming up fast he's going to run up between the leaders but NO! he's tumbled and brought them all down. all three contestants are laying in a pile just short of the finish line.
Comiserations to 'HO', 'MO' and 'US'.
The officials will have to clear this mess up.'

chris
photo: hedvig

on the road...again

Hedvig, Jon and Chris on the return from Jerusalem. a flattering photo by all accounts n'est pas?

photo: hedvig
chris


dead sea



'having a shower or taking a shower'
she quizzed
my preference whilst traveling is to have a shower, so i did. then wandered downstairs and the cab was sitting pretty in the sun. rode shotgun for the lovely old man who took us down to the dead sea, we got a little lost, the air was very hot.
there are signs warning people not to dunk their heads in the sea due to the high salt content, it couldn't be worse than your mum washing your mouth out when you were a kid though could it. turns out it's rather comparable to tear gas, fucking horrendous.
as we bobbed like four white apples on top of the water, it became clear how someone might walk on it, i wondered if the sea of galilee was salty.
we muddied up, washed down, skin felt like a million pounds, a greasy affair.
hitch-hiked on the dusty old road to Jericho. Carnival come park was a brilliant place there were camel rides, a colourfully lit fountain, it was a place where you didn't mind the awful live music cos it just came together to create a wonderfully spirited atmosphere. i had a little lay down on a bench, surrounded by chatter, had a peep at the stars before closing my eyes.
walking back we met a friend of Muhammed's he was selling ice cream, he seemed elated at our presence or perhaps on a sugar high either way he gave us more ice cream than you could shake a stick at. Jericho really is the friendliest town i know.
got the bus home and my hair was still wet from the salt of the dead sea, so i had a shower, it's as though salt can preserve any state it touches.

+++++++++++++++++++++++++++++++++++++++++++++++

*'La' means 'No' in Arabic.
+++++++++++++++++++++++++++++++++++++++++++++++

-Words and photos by Chris, drawing by Jon.


Thursday, 4 March 2010

Tempting


'maybe one day'

notre dame 200?

'i'm not touching cardinal pope whatshis foot'

words from the young shell of a flippant and self proclaimed 'atheist', who silently prays on occasion, in thanks or more often when retrospectively trivial events don't go in the desired direction.

present day

the ascent to the monastery atop mount temptation: there was a warn down stone which all the serious looking people were touching. at first the same thought passed, that of which the flippant young boy had had; but then a strange, naive logic struck, a sort of 'win win' logic. it played around on the mind for a good couple of seconds, it had come a long way, so this hand did touch that stone and playing the odds might just pay off.
take in the view and a cigarette or two, birds flitter on the breeze, flirting with the cliff, and we with the concept of religion.

chris
photo: hedvig



Cafe Ramallah


through great plumes of white smoke we spoke over arabic coffee which is frankly the best thing since kinder eggs. time goes unnoticed, locals come and go, beyond the glass the light changes from shell blue to yolk yellow. sit with argileh having a little read when someone proposes a little shesh besh (backgammon) reply 'yek shamesh' for it's important to take a break, after all we're not salmon. the kindly man brings us tea with lemon, herbs and the like, we finish our game and it's back to work, oh what a life.

chris
drawing (top): jon



Work Around

After our first night in Jerusalem Besan introduced us to the Bus 18 which daily travels from Jerusalem to Ramallah, and from Ramallah to Jerusalem. We take this bus, and pass the Check point for the first time. We are not stopped. The bus just goes through easily. Besan explains, that it is no problem when coming from Jerusalem. Only when you leave Ramallah, you will have to cheque at the check point. That is when you are checked. Alright, we nod and the bus goes on, along a long, long street. At a point, we stop. Get off, and approach the Academy of Palestine for the first time. -images are to folllow.- Destination accomplished.

And beat goes on. We start with the day. Lise and Nis, two artists from Denmark introduced us to their workshop called Workaround. We meet the first students including Hedwig who is an exchange student from Norway, staying at the Academy for three months. We take our first steps into the studio, and share our first Falafel at Samer. Hello! Hello! Ramallah!

Link to the workaround blog- http://workaroundsramallah2010.blogspot.com

Evening prayer call in Jerusalem



It is evening now, and the prayer calls are calling from all around. It was a long day. Here we are on Besan’a roof top, listening to the sun going down. Besan is a student at the Academy, he is Palestinian and lives in Jerusalem. Besan was giving us a little tour, tracking down the little alleyways of the old city.

Dubka

What is Dubka? Dubka. For us all who like to dance, this is it. A traditional Palestininan Folklore dance. To mine and Hedwig’s luck, Taqi, one of the students at the Academy, is a lover of rhythms and agreed to teach us some steps. Here we go. One, Two, Three…

The Market


As though it was a little a pocket hole to peak through, the city market is located behind tiny gates along a side street of Al Manara. It’s a location that may be passed by easily, however, the shouts over Vegetables and Fruits are hard to miss. Through the gates, one is immediately drawn into this ocean of colourful foods, and hurdling people, exchanging, slapping hands and smiles. And we are called at from everyside. Marhaba! Marhaba! It took a while to figure it out, it means Hello! Hello! Welcome to Palestine! People are very friendly. Vibrant strawberries, to super sweet tangerines and the yummiest Banana’s on earth are to find. In this gathering of people, as a team, Chris, Jon and I stand out like glow worms, (particularly with Chris’s hair.) We are defiantly the easiest needles to find in a stack of hay. This attention needed getting used to in the first couple of days, it’s all fine now. And we venture the market, at Al Manara. Shukran, thank you, for these lovely foods. Sallam aleykum! Peace be with you. Aleykum Sallam, and on you be peace.


Zelda

Al Manara



The most important word we need to remember is Al Manara, Khaled, our friend that the Academy said on the first day we arrived. If you every get lost on the streets, just say Al Manara and you’ll be fine!

Alllll Maaannnnnarrrra? The words role around our tongues.

Al Manara.

What does this mean? It means city center!

Ahh okay.

It is still one of the most simplest words compared to many others in Arabic. Al Manara…and we actually live at Al Manara square. Bang in the center of the city. From here we step out on the streets of Ramallah and be it morning, or evening, the streets are always packed with a buzz of people walking to work, to the market, or of those who enjoy tea or Arabic Coffee at the street stand. The streets of Al Manara are defiantly very busy. Then at night, they ease to clear into silence. Awaiting for a new tune, till the morning again.


Words by Zelda, Drawing by Jon

Wednesday, 3 March 2010

The Journey Here and some photos from Jerusalem

After a long and tiring journey we finally arrive on the Streets of Jerusalem in the dark. We are in a sheirut. These are minibuses that lead you away from the security fortress of Ben Gurion airport in Tel Aviv, along brightly lit and generously signposted six lane highways, whizzing past McDonalds drive-thrus; we could just as easily be in Europe or America. But we are not, we are in the middle-east, in the white elephant of Israel, the source of 62 years of tension and war...
The sheirut takes us through the winding alleyways of West Jerusalem, dropping off a mixture of English-speaking foreigners, and Hebrew speaking orthodox Jews. "It's just like Green Lanes", Chris says as the driver swiftly careens around countless men in identical black suits and black hats walking in every direction; Ultra-Orthodox Jews. They are on their mobile phones, smoking cigarettes, and buying fruit and vegetables, but they are moving so quickly and with so much purpose and all with such stony-faces. First impressions from the fragmented observations of tired and travelled eyes on a few dark streets in West Jerusalem: these people are serious!
But we are not going to be amongst these people, we are going into the West Bank, to the city of Ramallah where we will be living and studying for the next six weeks.
But before that, our next port of call is a hotel in the Old city of Jerusalem, where we will be staying for just one night, before we continue across into Occupied Palestine, through that infamous wall, with the light of day to guide us.

-Jon Lander


Where else would we find our selves, then on the rooftop of the Austrian Hospice, in Jerusalem, Old City. (This was very much, ambivalent for Zelda coming from Vienna, casually siting with Sissi and Franzl, a cup of Julius Meindl Coffee in the Old City) Aside from this. The view is amazing. And funny, as you might see in the example.
The rooftops of Jerusalem
The streets of Jerusalem
sacrificing political stance for cash flow, the Palestinian shop owners of Jerusalem sell T-shirts for a menagerie of persuasions on the Israeli-Palestinian conflict - The range bridges from the pro-Palestinian Handala Hoodies (Handala is a cartoon character that became a house-hold name and symbol of the resistance in Palestine. He is always drawn in the same way: with his back turned against the viewer; as if turning his back on the world in protest to the injustices he has seen) to the pro-Israeli "I heart Israel" t-shirts, to the more ambivalent mock IDF tshirts "My job is so secret, even I don't know what I am doing." (the IDF is the Israeli military)
The view from our Hotel in the Old City
Breakfast at the Hotel. Probably the first and only buffet service we will be experiencing during our six weeks!

Monday, 1 March 2010

words



Dear all.
Here a few words.
A few first impressions, and so much more underneath the surface.


With Love.
Zelda.


The sun is filling our irises, she is so bright.
And sand colors cover the streets, with a ever so bright blue sky.
It seems strange to be walking on this historical dust.
This story that is grown into peoples minds.
The history and the division.
Too strong
Too sad
Too much of a catch 22.
People here look you straight into the eye,
instead of the ground.
Straight into the face.
It is important.


And tonight I dreamt of a friend that died.
I woke up crying. And remembering the sentence I said,
She was one of us, who we lost. A Life.


It makes me realize more.
With also being here
How fragile our strings are
how important our connection is
Together we are strong
together we need safety from and for the world.
And with we
I mean every single human being,
every age, living now.
We are all dependent on one another
each others patience and mere existence.


The academy is wonderful an everybody is so friendly.
We have been here for two days, and three nights.
And it seems like so much longer.
It is powerful.

-words by Zelda. Drawing by Jon

Saturday, 23 January 2010

I am Yusuf and this is my brother.

http://www.youngvic.org/whats-on?action=details&id=3235

this is a link to a new play about Palestinian villages in Israel and the west bank in 1948.

The venue is located on the Southbank behind Royal Festival Hall, nearest tube, Waterloo. Tickets only £10 for students.
Byam Shaw School of Art and International Academy of Art Palestine have set up their first exchange for 2010. Four London-based students will travel to Ramallah, Palestine for six weeks in February. Followed by four Ramallah-based students coming to London in April for 8 weeks.

2010 EXCHANGE PROGRAMME

INTERNATIONAL ACADEMY OF ART, PALESTINE, RAMALLAH AND

BYAM SHAW, UNIVERSITY OF THE ARTS, LONDON

The exchange programme aims to support a cross-cultural exchange between the International Art Academy of Palestine in Ramallah and Byam Shaw, University of Art in London

BUILDING RELATIONSHIP BETWEEN THE EUROPEAN COMMUNITY AND THE MIDDLE EAST

Using the Erasmus program as a template, with the aim of the programme becoming included in the Erasmus scheme in successive years, the exchange aims to increase student mobility extending exchange programmes from within the European Community to the Middle East. It vital that students and staff build positive relationships with the Middle East countering some of the antagonistic relationships that currently exist and are perpetuated through the media. By building positive, creative and productive relationships between the different communities new understandings and perceptions of the Middle East and the West are can be experienced. In keeping with the Erasmus programme the exchange will promote trans-national co-operation projects and give the students the ability to see art and personal issues from other than ones own cultural perspective.

BENEFIT TO STUDENTS

· Extensive research by Erasmus has been proven that students who partake in such exchange programmes return more motivated, independent and confident. The exchange facilitates a range of life-skills not taught in the lecture theatre in the home university.

· Students from both art schools will have the possibility to create an international network of friends and colleagues that is vital to a career as an artist working in the international arena of the arts.

THE INTERNATIONAL ACADEMY OF ART PALESTINE

http://www.artacademy.ps/english/index.html

The International Academy of Art Palestine (The Academy) was set up in 2006 and currently offers a BA in Contemporary Visual Art and aims to develop a range of courses at BA and MA level via its four-year programme of study, which is open to all applicants. The Royal Norwegian Ministry of Foreign Affairs currently generously funds the Academy for the first three years (2006-2009).

The Academy is an important catalyst in the Palestinian community stimulating creativity and an understanding of the visual arts and promoting art as a powerful tool that stimulates change by transforming cultural attitudes. The Academy is developing a new generation of artists who are conversant with contemporary debates and methods of artistic practice and who will contribute to the local and international art arena as well as playing an important role in developing the creative industries of Palestine and shaping visual culture.

Owing to the history of occupied Palestine, the visual arts have had a difficult path of development, particularly in the absence of art schools, academies and funding. Due to these factors there is general a lack of understanding of the important role that art can play in Palestinian society as a powerful intervention tool that raises awareness, and develops new knowledge on social and cultural issues. Creating a vast arena for thought via the visualization of ideas, like any other field, art needs constant development, empowerment and mobilization in order to benefit society. Students at the Academy have limited access to Art exhibitions due to the ongoing immobilization of their society under the occupation. An exchange programmes is there fore vital for giving the students first hand access to galleries an exhibitions sites in order to develop their visual language. The Academy of Palestine has already developed a successful exchange programme with Norway and the level of artwork produced during these exchange periods has been very high.

BYAM SHAW, UNIVERSITY OF THE ARTS, LONDON

http://courses.csm.arts.ac.uk/byamshaw/area.asp?area=1

Founded by the artists, John Byam Shaw and Rex Vicat Cole in 1910 as a school of drawing and painting, Byam Shaw School of Art retains its focus on the study of Fine Art. This dedication to one subject can be counted as a defining characteristic. Measured against the majority of educational institutions, Byam Shaw School of Art is small. Such scale and compactness enables staff to give extra focus to individual directions and quests – there is enough space and time to respect differences and make the most of them. Together with a purposeful, friendly atmosphere and excellent all round facilities, Byam Shaw’s academic philosophy and high standard of teaching make the School an exceptionally stimulating and rewarding place to study Fine Art.

In 2003 Byam Shaw joined Central Saint Martins College of Art and Design, which is part of the University of the Arts London, Europe’s largest centre for education in art, communication, design and performance. Joining Central Saint Martins marks a significant moment in the history of the school, creating wider opportunities for students and staff at all levels. Students at Byam Shaw share the social, cultural and welfare benefits offered by Central Saint Martins and the University’s large Students’ Union. Within the College and the University Byam Shaw has the chance to participate in new academic developments and to benefit from added external research funding opportunities. Additionally, students have an expanded field in terms of exhibitions, events and lectures.

Central Saint Martins has a distinguished international reputation and offers one of the most diverse and comprehensive ranges of undergraduate and postgraduate courses in the country providing specialist education in fine art; fashion and textile design; communication design; media arts; 3D design including jewellery, ceramic, product, industrial and furniture design; theatre design and performance; and interdisciplinary art and design.

Students from Byam Shaw involved in the exchange with Palestine would extend their knowledge of the Middle East and experience different aspects of conflict zones outside of the media representation.

FACTS

The exchange will support 8 students experience working and living in different cultural environments.

· 4 UK students will spend 6 weeks in the spring semester from February - March 2010 in Ramallah, hosted by the International Academy of Art Palestine.

· 4 Palestinian students will be hosted by Byam School of Art for 8 weeks from April – May 2010.

· The exchange programme will be co-ordinated by artist Judy Price who will act as ‘lead artist’ for the programme. Judy was Cocheme fellow at Byam Shaw School of art from 2008-2009 and is currently associate artist at Byam Shaw School of Art and visiting lecturer at the International Art Academy of Palestine.[1]

We envisage that the exchange will have a strong influence on the student’s artistic practice as well as being of mutual benefit for the two institutions through dialogues and collaborations that may emerge. In autumn 2009 collaborative projects between the two arts schools through new media and the Internet will be initiated opening up channels for debate around art practices and the experience of students in different cultural, political and environmental locations. The exchange programme will build on this and offer a rich resource for the exchange of ideas and lived experience.

TIME SPAN

· 6 weeks for UK students – February – March 2010

(Two 2nd year students and two 3rd year students.)

· 8 weeks for Palestinian students - April – May 2010

Judy Price has spent over 5 years making work in Israel and Palestine. Her recent project Within this Narrow Strip of Land was shown at Danielle Arnaud Contemporary Art Gallery, London and the Imperial War Museum in 2008 and in 2009 at USF Centre Bergen, Norway. She has curatored a number of film programs of archival film around the British Mandate in Palestine for the British Council and the Al‐Ma'mal Foundation in East Jerusalem. She is currently developing a new body of work in Palestine and Israel as part of PhD at the University of the Creative Arts, United Kingdom.